Knowledge

Technologies

The curing systems, chemistries and process controls behind every product we make — set out in enough detail to be useful on the press.

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How it works

Chemistry you can ask questions about

Every product we make rests on a small number of decisions: how the film is fixed, what carries the pigment until it is, what holds the film to the substrate, and how the colour is controlled and kept. Those decisions are what a technology is. They set the speed you can run, the substrates you can print, the energy the press draws, the resistance the pack has and the regulatory work that follows.

These pages are written for the person who has to make the job run. Each one says what the chemistry actually does, gives the process window with the method that produced each number, and ends with the faults the technology really presents with and what to change first. Where a full technical paper exists it is linked from the page.

One caveat throughout: every figure on these pages is typical for the class of product, quoted with its method. The numbers that govern a supply are the ones on the Technical Data Sheet for the grade you buy, and the numbers that govern a food-contact pack are the ones measured on that pack.

Analysis workstation with spectral data

Our core technologies

Seven areas that decide how an ink behaves on your press.

UV Curing

Broadband mercury cure. Dose, oxygen inhibition and what the lamp actually has to deliver.

LED-UV Curing

385 to 405 nm. Cool cure, lower load, and the wavelength choice that decides cure under white.

Water-Based Technology

Binder balance, pH as the control variable, drying capacity and resolubility.

Solvent-Based Technology

Resin choice, solvent balance, residual solvent and lamination bond strength.

Low Migration Technology

The three routes into food, the limits that apply, and what the press has to hold.

Colour Matching

Measured standards, stated conditions, expanded gamut and Blue Wool light fastness.

Special Effects

Drip-off, raised crystal, haptic sand, soft touch, cold foil and colour change.

The four film-forming routes, side by side

Most specification arguments come down to choosing between these. The rows are the ones that actually decide it.

Scroll the table sideways to compare all four routes.

Conventional UVLED-UVWater-basedSolvent-based
How the film is fixedFree-radical cure under broadband mercury, 200–450 nmFree-radical cure under a narrow band at 385, 395 or 405 nmEvaporation of water and amine, then coalescence of the resinEvaporation of an organic solvent blend
What leaves the filmEssentially nothing — close to 100 % solidsEssentially nothing — close to 100 % solidsWater plus a small co-solvent and amine fractionThe whole solvent blend, 50–70 % of what is applied
Energy at the pressHigh. Medium-pressure lamps at 120–200 W/cm, plus ozone extraction and chillingLow. Roughly 30–70 % less connected load, no warm-up, no idle burnModerate to high. Water has about five times the latent heat of ethyl acetateModerate. Fast release, but the dryer and the abatement system both draw
Heat at the substrate60–100 °C web rise without chilling — the limit on thin film10–25 °C — thin PE, OPP, shrink film and tube laminate become practical50–70 °C hot air, applied over dwell rather than instantly40–80 °C rising through the tunnel
Typical film weight1.0–1.5 g/m² offset, 1.2–2.0 flexo, 1.5–3.0 coating, 4–12 screen1.0–2.0 g/m² narrow web, higher for opaque white1.5–3.0 g/m² dry, higher on absorbent stock1.2–2.5 g/m² dry for gravure colours
Substrate rangePaper, board, label stock, treated plastics; heat limits thin filmAs conventional UV, plus the thin and heat-sensitive films mercury cannot runPaper, board, corrugated, cup stock; film only with good treatmentTreated PET, BOPP, PE, CPP, nylon, metallised film, foil, paper
The control variableMeasured dose and peak irradiance at the substrateDose, working distance and the initiator matched to the array wavelengthpH, then viscosity — in that orderSolvent balance and residual solvent in the finished reel
Where it winsResistance, instant handling, high gloss, heavy screen and effect filmsHeat-sensitive substrates, energy, no mercury and no ozonePaper and board work, corrugated post-print, low VOC, food-adjacentLamination bonds, wide film latitude, high-speed gravure
What to watchOxygen inhibition at the surface, lamp ageing, heat on thin filmNo 254 nm line, so surface cure is a chemistry problem; cure under opaque whiteDrying capacity, humidity, and resolubility traded against water resistanceSolvent retention, odour and taint, emissions abatement
Our rangesUniCure UV flexo, UV coatings, Uniforce-250 offset, Unipress letterpressUniCure LED 395, Unimax 400 offset, Unipress 30 LEDWater-based flexo and gravure, aqueous coatings, functional coatingsSolvent-based flexo and gravure inks, PU lamination inks

Figures are typical for each class and are quoted with the method on the technology page concerned. Screen, pad and offset processes cut across these routes: the same press can run more than one.

Process control

How a claim on these pages is supported

A technology page is only useful if the numbers on it can be checked. Five measurements do most of that work, and they recur on every page in this section.

  • Cure dose and peak irradiance. Band-calibrated radiometer passed through the press at running speed with the job on the machine — UV-A for mercury, an LED-band head for an array. A lamp percentage on the console is not a measurement.
  • Surface energy. Test inks to ASTM D2578 or ISO 8296 on the reel about to be run, within the shift. Corona treatment decays in store and slip additive blooms, so the film supplier’s certificate is not a substitute.
  • Cure and resistance. MEK double rubs to ASTM D5402 at 1 kg for cure; cross-cut adhesion to ISO 2409 read 24 h after the run at 23 °C and 50 % RH; Sutherland rub for scuff.
  • Colour. Spectrophotometric ΔE00 against a retained master, with geometry, illuminant, measurement mode and backing all declared, on the production substrate at the production film weight.
  • Migration and residual solvent. Simulant testing to Regulation (EU) 10/2011 and Tenax® at 40 °C for 10 days for dry foods; static headspace GC for residual solvent in a laminated construction. Both are run on the finished pack, because that is the only place the answer exists.

Choosing a technology

Start from the constraint you cannot move, not from the technology you would prefer.

UV or LED-UV, and increasingly LED. LED is the answer where the stock is thin, heat-sensitive or shrink film, where the press stops often enough that a mercury lamp’s idle burn is expensive, or where the press room wants to be rid of ozone extraction and mercury handling. Conventional UV remains the answer for heavy effect and screen work that needs penetrating wavelengths. Both routes run low-migration sets where the label goes on food.

Solvent-based gravure with PU-based lamination inks, for the bond strength and the thermal tolerance a pouch needs. The controls that decide success are solvent retention measured by headspace GC on the finished reel, and bond strength read by T-peel after the pack’s own ageing condition rather than at 24 h. Water-based gravure covers the paper-based side of the same market.

Water-based, almost always. The substrate is absorbent, which does half the drying, the VOC position is good and the cost base is right. The two things that decide whether it runs well are dryer capacity — air volume and extraction, not temperature — and pH discipline on the press. Aqueous coatings finish the job in gloss or matt.

UV offset with UV coatings, and for heavy decorative work, screen-applied effect coatings. Uniforce-250 covers the conventional route; Unimax 400 the LED route where board heat or energy matters. Specify the coating at the same time as the ink: drip-off, soft touch and structure effects are coating decisions that constrain the ink beneath them.

UV and LED letterpress. Unipress 30 LED is built for the treated polyethylene skin of ABL and PBL laminate, where heat would distort the web and where adhesion depends on treatment that has to be verified at the press. The cap torque, heading and filled-product resistance belong to the finished tube and are qualified on the pack.

LED-UV removes warm-up, idle burn, ozone extraction and mercury disposal, and typically 30 to 70 % of the connected load. Water-based removes the solvent inventory and the abatement plant. Neither is a straight swap: LED needs inks matched to the array wavelength, and water-based needs drying capacity the press may not have. Both are worth a trial with measurement rather than a change on paper.

Then the technology choice is downstream of the migration assessment, not upstream of it. Start with the structure, the food and the contact conditions; work out whether there is a functional barrier in the path and what the set-off case looks like; then choose the ink and fix the cure specification around the answer. The Low Migration page sets out how that runs.

At a glance

Measured, not asserted

Every figure on these pages carries the method that produced it.

Four routes

UV, LED-UV, water-based and solvent-based, plus the controls common to all of them.

Papers behind them

Twelve technical papers carry the detail these pages summarise.

Technical service

Send the substrate, the press and the constraint, and we will specify against it.

Go deeper

Where the detail behind these pages lives.

White Papers

Twelve technical papers for the detail behind these pages.

Innovation Roadmap

Twelve concepts for 2026 to 2031.

Research & Development

How a concept becomes a released product.

Technical Data Sheets

Measured properties for every grade.

Don't see what you're looking for?

Please feel free to call us. We colour-match to any request and develop inks around your press-room need.